韩国花蝴蝶电视剧

赖拉·邦雅淑饰演的是一个有着不幸的婚姻的女人。在她和第三任丈夫离婚之前已经结过两次婚了。她有个好朋友WarattayaNilkuha，赖拉的第三任丈夫死于交通意外，而赖拉发现她丈夫瞒着她和她的好朋友Warattaya发生婚外情，并且Warattaya还怀了他的孩子。这意味着他们的友谊结束了。PopeThanawat和赖拉在机缘巧合下多次碰面，赖拉是一个非常强势的女人并向PopeThanawa发起追求，而他是一个传统的男人害怕和女人接触。他们的关系发展迅速，而PopeThanawa的妈妈反对他和赖拉恋情，在赖拉花店开张的那天PopeThanawa在众人面前向她求婚，他向赖拉坦白对她的爱，两个人结婚了。　金沙滩上迎来了八万落草好汉，断金亭上聚来各路豪杰。聚义梁山的一百零八将，个个性格迥异，光彩照人。他们或是智能超群，有勇有谋，或是除暴安良，行侠仗义，或是大义凛然，忘我行义的好In real life, China's income tax is divided into enterprise income tax, foreign-invested enterprises or foreign-invested enterprises income tax and personal income tax. For these three types of income tax, each is calculated in a different way. Personal income tax has a personal income tax calculation method, while enterprise income tax has its corresponding calculation method. If we do not adopt the policy mode to realize such a requirement, we will define an income tax class, which has an attribute to identify the type of income tax and a CalculateTax () method to calculate the tax. In this method, we need to judge the tax type and calculate the income tax for different tax types through if-else statements. Such an implementation can indeed solve this scenario, but such a design is not conducive to expansion. If the system needs to add an income tax in the later period, it has to go back and modify the CalculateTax method to add an additional judgment statement, which clearly violates the principle of "open-closed". At this time, we can consider using the strategic mode to solve this problem. Since the tax method is the changing part of this scenario, we can naturally think of abstracting the tax method at this time, which is also the essence of the implementation of the strategic mode.本剧讲述了裴斗娜饰演的夜总会歌女的奋斗和爱情故事。30岁的“熟女”珍珍一直和因为意外引致智商如同5岁小孩的姐姐珍珠共同生活，但她还在为了姐妹俩的生活而挣扎打拼。每一天都在打工中辛苦渡过。有一天，由于夜总会里的歌手没有准时到场表演，等得心焦的客户们开始骚动并发出不满之声。珍珍是一个从上学起就从来不唱歌，曾经因为紧闭着嘴气坏了班主任的女生；但为了救场，她站在了舞台中央。最初站在台上，珍珍紧张得无所适从、只能在那里对着口形小声低唱。正当台下观众不满时，珍珍鼓起勇气做出了让人始料不及的华丽“转变”。只见她用不屈的声音爆发出让人感动的歌声……这都是几天前已经定好的，此时不过是补个程序而已。请听 -- 吴青峰