The effect is shown in the figure.
2005年4月15日，朝日电视台在近一个月的停播后推出的水田版《哆啦A梦》（一说《哆啦A梦》第二季），因其画风、声优与之前的大山版大相径庭，而被称作《新哆啦A梦》。
Mr. Mercedes第三季主要改编自斯蒂芬·金小说三部曲中的第二部Finders Keepers。在一个漆黑的雨夜，文豪Rothstein在寓所内身亡，现场有抢劫的痕迹。Hodges，Holly和Jerome帮助当地警察追查这个案子，发现Rothstein多本未曾问 世并价值连城的手稿也被洗劫一空，这一切是否与文豪的疯狂书迷Morris Bellamy有关？
又说大哥大姐在西南打仗，就去了也顾不上她，又说自己到了京城会见机行事，实在不行就去找赵耘叔叔或者赵清姑姑云云，总之是让林聪放心。
他转身对大苞谷冷笑道：就打你，怎么了？瞎了狗眼，敢在这闹事。
UDP
普通高中生·弄内翔（野村周平饰）因父母离婚而住进了当绘本作家的叔父·洋太的空房子，开始了一个人的生活。翔暗恋学校里同班的美少女同学奈奈美，可奈奈美却对翔的好哥们·智章芳心暗许。一天，翔在家里偶然发现了一台坏了的录像机，里面还插着一盒录像带。他修好录像机后按下了播放键，一个自称“Video Girl·天野爱（西野七濑饰）”的女孩居然从屏幕里走了出来！于是，翔和电影少女天野爱，在同一屋檐下开始了一段三个月的奇妙生活……
在他新的家中度过了第一个晚上，马克斯与新的兄弟姐妹Tess，Anika，Sal和Daniel醒来，找到寄养父母，Erik和Kate已经消失了。为了解决这个问题，兄弟姐妹们开始寻求线索，引导他们进行史诗般的和悬念的家庭冒险，包括通过运河游船，探索秘密隧道，揭开迷失的宝藏。在每一个回合都有障碍，他们也必须打击老家庭对手和双重继承人，以解决这个谜。猎人街明星Stony Blyden作为街头智能Max; MaeMae Renfrow作为独立而又聪明的妹妹苔丝;凯拉史密斯作为自由奔放的最年轻的猎人妹妹Anika; Daan Creyghton作为Sal，一群天才;和托马斯·詹森作为凶猛保护的大哥丹尼尔
李sir（李修贤饰）是一名香港警察，为人公平正直。黑社会老大文叔（许绍雄饰）金盆洗手，退出了江湖，而接手的凯明却急于冒进，干了许多违法的事。李sir为了维护正义，开始追查凯明……
少年英雄魏子豪卧薪尝胆，从全家惨遭奸贼杀害的悲惨命运中成长起来，最终一洗家仇国恨的故事。剧情除了保有以往少林题材影视剧的精髓之外，力求创新，加入了更多现代气息和丰富的情感内容，看点十足；剧中，张倬闻饰演的魏子豪，分别与当朝公主、倭寇女首领存在感情纠缠，他对公主从误解到喜欢、从喜欢到爱慕，在磨擦和战争中建立了深厚的感情；对倭寇女首领的感情则更为复杂，一方面是仇人，一方面又有私人情感；而文武双全的蒙古公主也一度认为自己喜欢的人是魏子豪。错综复杂、跌宕起伏的爱情故事，使该剧在剧情上有了更大的突破，也是体现男一号独特魅力的点睛之笔。
Fortunately, I was able to suck my soul last week. I sucked it to death.
咱们自然不能只顾自己。
As a result, we can certainly imagine that what we did at that time was not professional, and Push was much slower than the professional information platform. After all, we did not have a fast mechanism and backstage.
本是瓦匠世家的她，考古中意外魂穿成了患有洁癖的工匠之女身上，凭借惊为天人的工匠绝技混得风生水起，却莫名卷入了一场乱战，而她回到现代的唯一途径，便是参与这场夺嫡之争。
秦王嬴稷（秦昭王）当政不久，列国展开一系列兼并战争。秦国看准时机，先与齐连横，攻略魏国大片土地。由此，战国进入秦齐赵三国并强阶段。此时，秦国国内宣太后掌政，穰侯魏冉等“四贵”专权、，秦昭王王权旁落。然而外部局势对秦国十分有利：纵横家苏秦与燕王秘约赴齐，以灭秦为目标“死间”齐国。面对国内政治困局和国外有利机遇，秦王嬴稷毅然起用范雎，放逐魏冉等“四贵”、废太后之权而恭养之。同时，与苏秦合谋，五国联军在燕将乐毅率领下攻破齐国都城临淄。秦王嬴稷遣将白起，相继在伊阙、郢都、华阳、长平发动四大战役，歼灭了韩魏齐楚赵百万以上兵力，使秦与列国消长发生了根本转折。自此，秦国崛起 。
王突等人也不客气地坐下，才要问那胖子，就见玉米朝桌上看了看，问黄豆道：黄豆哥哥，苞谷吃啥喝啥？黄豆将苞谷放在腿上坐好，单手搂着他，一边胸有成竹地笑道：不用愁，山人自有妙计。
《我女儿是瑞英》为KBS周末剧，由李宝英、李相允、千浩镇、朴海镇主演。讲述的是近在眼前却远在天边的一对父女之间的爱情与和解的故事。
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
