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Action: I took it over and tried my hand. Then I opened it and said, "Grandpa, you are really warm-hearted, but I don't know you. How do you know that I am the person on the express, and where my home is... By the way, what does the person who asked you for help think? I forgot earlier, this excuse is too low."影片是《四重奏》导演土井裕泰，编剧坂元裕二的大银幕首部合作作品。故事讲述男女主人公因在东京明大前站错过末班电车而偶然相识，之后展开时代、时间、地点、全部的偶然都像命运一样同步的5年恋爱，展现了他们在既非大人也非孩童的时期里，迷茫前行的模样。This view is somewhat outdated and inaccurate. It is the computer that myths those people. We always think that those who deal with computers are different from ordinary people.见小葱还是神游天外，狠狠心又道，要不。Be steadfast and steady:一条天桥，架起一条从凡间到天上的路。从这条路上走出的，还有三个孩子飘荡的俗尘里的传奇故事。清末的北京喧闹、纷乱，人们的喜乐哀愁和那时的阳光一样直爽和不加阻拦。在科班中长大的怀玉和好朋友志高就是在这样的阳光下恣意地成长着。孤儿怀玉骨子里爱戏，但就好像他迷惑不清的身世一样，抚养他长大的班主李盛天始终绝决地拒绝他学戏。然而戏曲、科班里的一切对于怀玉而言，似乎有中宿命般的吸引——那绚烂耀眼的服饰道具、普通人装扮之后如同天神的威严、戏文中一个个悲欢离合的故事、方寸舞台上翻手为云覆手为雨的神奇、成角儿后的众星捧月还有戏曲世界中无处不在的、与处事为人息息相关的“规矩”……——这些，都像是怀玉命中的黑洞，吸引着他走进去。成角儿，是他幼小心灵中模糊但坚定的信念。志高是个生来贫贱的孩子。做暗娼的母亲将他抚养长大，唯一的梦想就是让他学戏成角儿——据说，他的母亲红莲在做妓女时，与一位名角儿相好，生下了志高，母亲是想让志高延续她对那位名角儿的想念。在热闹的天桥，他们结识了进京卖艺的姑娘丹丹，三个身世飘零的孩童惺惺Milliseconds, no zero, 0-999