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"Her poems, placed in the poems of Chinese poetesses, are as striking as those of murderers placed in a group of good families-everyone else is dressed neatly, smeared with powder, sprayed with perfume, written in black and white, and can't smell any sweat, but she is smoky, covered with mud and sand, and there is obvious blood between the words." (Liu Nian, Editor of Poetry Journal)After this time the mines have come into play, The company commander also ordered us to take advantage of the gap between operations. To replace the mines that have already triggered the explosion with new ones, I was one of four people on this mission, I remember when I went down there, I saw the bodies of the dogs, I can't help but look at those who were killed by steel balls but were relatively complete. There is one place I am very strange: although they were beaten by steel balls and lay there dead with holes, they had no blood at all, but there were some green things around the bullet holes, which was disgusting to look at. "上世纪50年代末，小兴安岭林区冬雪纷飞。青川林区和第一代林业工人迎来了严峻的考验。国家建设需要大幅度提高木材生产产量，能不能战胜困难完成几乎是不可能完成的生产指标？成为那一年和其后几年的主题。军人出身的林海市林业局局长郑毅对新任东方河林场的党总支书记魏建中的要求只有一句话：完不成生产任务提头来见。4席国风合伙人，70位青春国乐手，跨界联手，破圈合作，音乐合伙，形成每个战队鲜明的音乐风格，产出更具市场潜力的国乐作品，最终诞生出一支潮流国乐团。讲述解放前，为逃婚而离开故土的漂泊者在南行的路上遇到抬滑竿的大汉和小伙子、嗜烟如命的大足女人及其女儿花鼓女、老算命先生等五人。但随后一群灰衣军汉围住六人，抢走了大足女人和花鼓女。漂泊者、大汉和小伙子继续艰难前行到了中缅交界处的克钦山。大汉和小伙子将滑竿内装满了鸦片，想连夜走私偷渡，却被缅甸“扁达”抓获。漂泊者花光了身上的钱，被迫在茅草地客店当只吃饭没工钱的小伙计。他又遇到了从军汉处逃脱的大足女人和花鼓女，并对花鼓女产生了朦胧的恋情。但天气好转后，大足女人和花鼓女又继续出发寻找失散的亲人。晚上，一个到边境查路的英国人到客店投宿，提出要女人陪宿的无理要求，并与漂泊者和老板打了起来。争斗中，客店被大火烧毁，漂泊者又开始了漫无目的的漂泊，又在瞎子客店遇到已经成亲的花鼓女和大汉，漂泊者和小伙子踏上了回家的路。Tang Lin, producer of CCTV's financial channel "Charming China City", revealed the innovative highlights of the second season. First, the timing of the second season of the program is better than that of the first season. The 19th National Congress and the National Two Sessions have been held one after the other. At the same time, the 40th anniversary of reform and opening-up is a great moment. From the perspective of the country, we can see the pace of our city and the pace of China. Second, humanistic care is more intense. We only do two rounds of competition, so that the city can focus on the program and carry out intensive cultivation, so that the charm of the city can be better released. Third, we should use real elements to express our love for the city. We will follow the process of filming all the city competitions and rehearsals, and aspire to set up a biography for each city. Competition is only a means, reality is the end.